The Le Pliage x Jeremy Scott collaboration applies the designer's bold graphic artwork, from the "Poodlebag" to "Tire Track" and postcard-style "Greetings from" prints, onto the classic Le Pliage canvas body, retaining the standard Russian leather handles and snap-flap closure. Running since 2006, it's one of fashion's longest-continuous designer collaborations, spanning more than 25 limited print editions.
The compact handbag-size canvas, carrying whichever Jeremy Scott print is current that season.
The most common size for Jeremy Scott print releases, matching the everyday capacity of the standard Le Pliage Medium.
The full-size tote version of each print, offering the most graphic real estate for Scott's artwork.
The collaboration's first wave, defined by Scott's early graphic humor and pop-culture characters. Long discontinued, these are the most collector-chased prints in the line.
A middle era of bold statement graphics and recurring icon reprises, generally more available than the earliest prints but still discontinued and collectible.
The current postcard-themed run marking collaboration anniversaries and store openings, tied to specific cities and released in limited windows.
Unlike the rest of the Le Pliage family, which depreciates heavily and predictably, Jeremy Scott print editions are the one place in the Longchamp catalog where resale can genuinely exceed original retail. Current-season prints generally sell in the $150–$250 range, tracking close to their original retail price, but discontinued and early-run designs, particularly cult early-2010s prints like "Humpty Dumpty", have been known to command $300–$450 or more once they're no longer available new, since demand from collectors who missed the original release doesn't go away when Longchamp moves on to the next print. The driver here is genuine scarcity rather than brand cachet: because each print runs for a limited window and is then retired, buyers who want a specific discontinued design have no option but the resale market, which is exactly the dynamic that's absent from the endlessly-restocked nylon Original. The practical takeaway: if you're buying a current Jeremy Scott print to wear, treat it like any other Le Pliage and expect it to lose some value; if you're buying (or holding onto) a beloved discontinued print in excellent condition, there's a real chance it holds its price or appreciates modestly as it ages further out of production, making this the one corner of Longchamp's lineup that can behave a little like a collectible rather than a straightforward depreciating handbag.
Longchamp and designer Jeremy Scott began working together in 2006 to mark the opening of the brand's SoHo boutique in New York, with an inaugural limited-edition collection nicknamed "This Is Not Your Bag." Rather than a one-off, the partnership became one of the longest continuous designer collaborations in fashion, running for two decades and producing more than 25 distinct graphic print editions on the standard Le Pliage nylon canvas body, handles, and flap. Early designs leaned into Scott's signature irreverent, pop-culture-driven humor, bold characters, graffiti-style type, and playful reinterpretations of the bag's own printed logo, turning a practical travel tote into a wearable piece of collectible graphic design.
Over the years, the collaboration evolved into recurring thematic series, most notably the postcard-style "Greetings From" designs referencing cities like Paris, Hollywood, and Paradise, released to mark collaboration anniversaries and Longchamp store openings. The partnership hit its 20-year mark with a New York-themed "Greetings from New York" release celebrating both the original 2006 SoHo launch and the two designers' ongoing creative relationship. Each edition has been produced for a limited window and then discontinued, giving the collaboration a built-in collector dynamic that the standard Le Pliage line doesn't have.
The Jeremy Scott collaboration turned a practical, workhorse tote into one of fashion's more talked-about collectible handbag lines, embraced by celebrities including Rihanna, Gigi Hadid, Elle Fanning, Rita Ora, and Miley Cyrus, who have carried various prints over the collaboration's run. Its longevity is itself part of the appeal, two decades and 25-plus designs mean there's a specific print for nearly every kind of collector, from early-2010s cult favorites to the newest "Greetings From" city editions, and dedicated resale communities track and trade older prints the way sneakerheads track limited colorways.
Because Scott's designs are so distinct from anything else in Longchamp's catalog, the collaboration also functions as a gateway between the Le Pliage's everyday, unpretentious reputation and the more collector-driven, hype-adjacent side of fashion. It's the version of Le Pliage most likely to be discussed in terms of "which print is the rarest" rather than simply "which color do you want," a dynamic that sets it apart from every other line in the Le Pliage family.